• 远大前程2011

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    改编自英国十九世纪一代文豪狄更斯晚年最为成熟之作《远大前程》,又名《孤星血泪》。                                                                      主人公皮普从小父母双亡,依靠性格暴戾的姐姐抚养长大,和亦师亦友的姐夫乔学习铁匠工作,安于过着下等人的生活。偶然的机会被选进镇上萨提斯庄园,受雇于有钱的贵妇郝维辛,遇见了年轻高傲的艾斯黛拉。 在内心阴霾的郝维辛小姐的层层暗示引导下,皮普爱上了艾斯黛拉,思想发生了转变,开始想要为了成为上等人而努力。恰巧年少时期搭救的一名逃犯为了报恩暗中资助皮普,使他有机会学习上等教育,进入上流社会。可惜命运弄人,就在皮普认为有资格与艾斯黛拉平等恋爱的时候,一系列的转折让皮普的“远大前程”瞬间幻灭,并最终让皮普回归到现实。展现了皮普跌宕起伏的成长经历和狄更斯一生经历的深刻认知。                                                                      《远大前程》作为一部狄更斯最为出色的作品,被多次改变成电影,电视剧。本片由BBC出品,为纪念狄更斯诞辰200周年而制作。其中狄更斯的曾曾曾外孙哈里·劳埃德出演了影片主人公皮普的好友赫伯尔特。

  • 远足惊魂

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    讲述一个从阿富汗的退役的女兵凯特组织了一群年轻美貌的少女到英国乡村业林里探险活动……

  • 迈耶斯家的圣诞节

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    本片聚焦在一个疏离的家庭。在母亲去世后,在一个圣诞节一家再一次团聚在了一起。

  • 达科塔的夏天

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    《女牛仔与天使2:达科塔的夏天》讲述的是Dakota Rose是个西部女孩,平时参加花样马术比赛,屡次失败,还被竞争对手嘲笑。不幸的是,如今18岁的她突然得知自己是被收养的。悲伤之下,Dakota选择了离家出走,寻找自己的生母。这一路上经历了许多,结识了不少朋友,也明白了生活的道理,Dakota最终选择了回家……

  • 辽阔天空

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    患有开放空间恐惧症的少女海泽(贝拉索恩 饰)在前往疗养中心途中,于荒野遭到两名蒙面暴徒袭击,受困车内,生死一线间。现在,海泽除了必须想尽办法自这场劫难中存活下来外,还必须克服内心逐渐滋生蔓延的恐惧心魔……

  • 逆天而行

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    唐家聪自小与母亲于乡间相依偎命,一直认为被父亲遗弃,因知道父亲在香港另有妻子及子女,直至母亲过身,家聪才能来香港与父亲团聚。细妈(冠兰)与所生的子女,认为家聪到港加重了家庭生活负担,因此存有怨言,家聪到港后不能适应环境并找不到工作,生活的压力与彷徨,就在普天同庆的圣…

  • 送葬人

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    讲述一名法学院毕业生乔德回到家乡准备司法考试,但做殡葬业的父亲却生病了,怕鬼的他只好硬着头皮协助家业。而锡安因为无法接受前女友的死亡,想方设法希望能再跟她见上一面,因此来帮乔德的忙。究竟在这个生与死交会的地方,他们会遇见什么样的故事呢?

  • 遥远的街区

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    托马斯(莱奥·勒格兰德 Léo Legrand 饰)年过五十,一次机缘巧合之下,他回到了阔别已久的家乡,让他没有想到的是,自己竟然意外的穿越回了四十年前,衰老的灵魂回到了年轻的身躯之中,记忆深处似曾相识的回忆和景象如今一一栩栩如生地展现在了托马斯眼前。   就这样,托马斯得以重新见到了母亲安娜(亚历山德拉·玛丽亚·拉那 Alexandra Maria Lara 饰)和父亲布鲁诺(乔纳森·扎凯 Jonathan Zaccaï 饰),久别重逢的喜悦平静之后,他决定做一件他早就想做的事情。曾经,布鲁诺抛弃了安娜,而这一次,托马斯要利用这个千载难逢的机会改变这一历史。然而,无论怎样努力,父亲还是离开了,但是,这一次,托马斯终于知道了父亲做出这一选择的真正原因。

  • 造孽

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    克莱尔小时候有个假想的朋友,长大后她回到童年的家,却遭到“曾经朋友”的折磨。尽管是一部美式恐怖片,风格却非常多元化,从预告可窥紧绷于弦的气氛。

  • 造访职业杀手

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    维克多(鲁克·高斯 Luke Goss 饰)是一名经验丰富精明强干的杀手,只要他出手,没有取不来的性命,维克多发自内心地尊重和喜爱自己的这一特殊职业,这也令他在职场上格外卖力。然而,就是这样一个男人,他竟然被效忠多年的组织背叛了,在接二连三的追杀之中,维克多诈死得以逃过一劫。   之后,维克多隐姓埋名来到了伦敦,在这里,重操旧业的他在事业上到达了新的高峰,同时,内心保守创伤的维克多也变得更加多疑、更加冷酷。一个美丽女子的出现吸引了维克多的注意,在矛盾和犹豫之中,维克多无法抗拒她的魅力,与此同时,被维克多远远抛在身后的过去亦开始对他百般纠缠,面对这复杂的局面,维克多会怎样应对呢?

  • 金属精神

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    在14岁的时候,两个好朋友史蒂夫和罗伯就约定以后要永远一起搞摇滚。他们的乐队Anvil被尊崇为加拿大金属摇滚的领袖,影响了诸如Metallica, Slayer and Anthrax等乐队。这部纪录片介绍了这支加拿大传奇金属乐队Anvil的历史以及今朝,其中首度发表了多段重要影像,并配以多位金属大腕儿的访谈段落。

  • 金山匪帮

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    登(Pongsak Pongsuwan 饰)是一名泰国著名的民间剧院的男演员。由于精湛的演技,登成为了剧院的男一号,给剧院获带来了很大的金钱和名誉。就在这时,剧院负责人声称要把剧院变成电影工厂,登和他的伙伴宏(Choosak Iamsook 饰)对此深感失望,并且强烈反对这个想法,更重要的是女演员婵(Nikalaya Dhunlaya 饰),登一直以来都很喜欢她,这时候登该如何让抉择呢?

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    In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism.   Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.

  • 钢铁骑士(普通话版)

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    “钢铁骑士”曾是美泰一款风行全球的男孩人偶玩具,也曾被拍成电视系列动画片,此次真人电影版的故事是《雷神2:黑暗世界》(Thor: The Dark World)编剧克里斯托弗·约斯特(Christopher Yost)原创的。故事讲述16岁男孩麦克斯(Max McGrath)和母亲居住在一个小镇上,他的科学家父亲当年在他出生后不久就神秘死亡,麦克斯拥有一种他自己都无法控制的超强能量,直到遇到有着先进技术的外星人Steel后,才学会运用它,“钢铁骑士”就此诞生!

  • 钢铁奇侠

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    当身怀超人能力的实验金属人落入坏人之手,和平就变得岌岌可危。凯尔拥有终极战斗机——具备超人能力的金属人,他用金属人扬善惩恶,恶魔变成机器人武士,金属人棋逢对手,一场恶战就要开始。

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    艾莉克西亚(阿加莎·罗塞勒 Agathe Rousselle 饰)是一名汽车模特,拥有曼妙身材的她靠着跳艳舞维持生计。早年间,一场车祸让艾莉克西亚的大脑中被医生植入了钛金属,这块金属随着时间的推移,渐渐影响了她的性格,让她变得暴戾而又狂躁,在钛金属的影响下,她甚至杀死了自己的双亲。不仅如此,艾莉克西亚还发现自己对汽车产生了性趣,在和汽车发生了性关系后,艾莉克西亚发现自己的身体逐渐出现了妊娠的征兆。   文森特(文森特·林顿 Vincent Lindon 饰)是消防队的队长,早年间,他的儿子失踪了,这些年来,他一直都没有放弃过寻找儿子的下落。命运让艾莉克西亚和文森特相遇了,艾莉克西亚女扮男装,假装成为文森特的儿子,和文森特开始了住在同一屋檐下的生活。她一边要努力维系自己的谎言不被戳穿,一遍还要隐藏渐渐变形的身体。当然,纸是包不住火的,在长久的压抑之后,艾莉克西亚和文森特之间的关系也发生了微妙的变化。

  • 针脚

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    本剧根据玛丽亚·杜埃尼亚斯的同名畅销小说改编而来。天真烂漫的裁缝姑娘在结婚前夕,和未婚夫走向一家打字机专卖店,一推开门廊,她早已确定的命运即被彻底改变:一笔巨额财产和从未谋面的父亲,都从天而降!整个地中海沿岸成了她的舞台:政治、谍战、阴谋、冒险…… 这些原本与她毫不相干的东西,一时间都与她呼吸相闻。

  • 针孔旅馆

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    大卫(Luke Wilson 饰)与艾米(Kate Beckinsale 饰)是一对刚经历了丧子之痛的夫妻,为了纪念他们即将分解的婚姻,两人驾车行驶在茫茫夜色中,进行他们最后的分手旅行。为抄近路,大卫拐入了一条荒僻小路,然而行驶不久车子即宣告故障,一位子夜时分仍未眠去的年轻人出现帮助了他们,但问题仍未解决。大卫与艾米不得不步行到一家汽车旅馆休息。   旅馆内空无一人,值班室内传出令人毛骨悚然的尖叫声,值班员大咧咧的关闭了电视录像,将两人安排在一间拐角的房间,房间设施陈旧肮脏,大卫在翻看电视柜内遗留的录像带时发现内容尽是极其写实的血腥电影,然而更令人震惊的是电影内的场景分明就是他们入住的房间!这家旅馆无疑是杀害旅客制作录像带的变态乐园。于是清冷的夜里,夫妻俩唯一要面对的是自己的生存问题。

  • 钢铁骑士(英语版)

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    “钢铁骑士”曾是美泰一款风行全球的男孩人偶玩具,也曾被拍成电视系列动画片,此次真人电影版的故事是《雷神2:黑暗世界》(Thor: The Dark World)编剧克里斯托弗·约斯特(Christopher Yost)原创的。故事讲述16岁男孩麦克斯(Max McGrath)和母亲居住在一个小镇上,他的科学家父亲当年在他出生后不久就神秘死亡,麦克斯拥有一种他自己都无法控制的超强能量,直到遇到有着先进技术的外星人Steel后,才学会运用它,“钢铁骑士”就此诞生!

  • 银瀑

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    A small town is haunted by the twin daughters of a wrongfully convicted man. Young Jordan is sent down the path to who the real killer is only to find the killer is very close to her.

  • 镜子的另一面:纽波特民歌艺术节1963~1965

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    "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

  • 镭射小队

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    地球上的居民收到来自外太空的编码信息,告诉他们,他们并不孤单,银河系是一个危险的地方。

  • 隔墙有眼

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    Andre, recovering from a recent accident, agrees to help his friend Robert by taking over a house sitting job at a creepy home nestled in the hills above Los Angeles. As night comes, the house reveals its insidious nature as Andre begins hearing ominous sounds and experiencing strange occurrences throughout the house that lead him to believe he is not alone, and that someone, or something is in the house with him.

  • 陌生之地

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    讲述一对夫妇的两个10几岁的儿子失踪于沙尘暴,两人的关系也因此濒临崩溃。故事主人公凯瑟琳和马修·帕克是住在澳大利亚沙漠地带小镇上的夫妻。一场沙暴来袭之前,他俩突然发现自己十多岁的孩子失踪了。在发动全镇找寻孩子们的过程中,两人的关系也因这场磨炼受到考验。

  • 雷神魔傀

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    未来某时,一种丑陋凶恶、仿佛来自地狱的怪物肆虐人间,大肆屠杀人类。某小镇在怪物的荼毒下宛如一座死城,生存者战战兢兢,惶恐度日。   由凯文(Ben Budd 本•巴德 饰)率领的特种小分队进驻小镇,保护幸存者,与怪物展开对抗。凯文发现,被怪物咬过的人类会受到感染,化身力大无穷的凶残异体。而怪物也在某个神秘领导者的带领下有秩序地对人类进行围捕。为了击退穷凶极恶的魔鬼,凯文找到一本古老的书籍,在其中寻找制敌的良策……   根据美国同名电玩游戏改编。

  • 隔离

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    当巴黎在疫情期间进入封锁状态时,公寓楼里各式各样的居民必须适应一种新生活。该片由丹尼·伯恩自导自演,弗朗索瓦·达密安 、劳伊万·阿达勒共同出演了这部温馨又充满趣味的隔离生活影片。

  • 雷德怒潮

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    三个小混混无缘无故杀死一条14岁的名叫red的狗,这条狗是一位曾经参与过朝鲜战争的兽医最好的朋友,处于半退隐状态的他决意奋起反击讨回正义,无论使用合法或非法的手段……

  • 雨中曲

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    1927年,由唐·洛克伍德(吉恩·凯利 饰)和丽娜·雷蒙德(简·哈根 饰)主演的《皇家流氓》在好莱坞首映。由于丽娜刺耳的嗓音无法匹配其夺目的外貌,为了维护明星形象,宣传部只得安排唐一人讲话。首映后,由于钢琴师科斯莫·布朗(唐纳德·奥康纳 饰)的汽车爆胎,为了躲避疯狂的影迷,唐意外结识了能歌善舞的凯西·塞尔登(黛比·雷诺斯 饰),并被其深深吸引。数周后,首部有声电影《爵士歌手》爆红,唐与丽娜的新片《决斗骑士》不得不临时改变拍摄方式,而凯西也成为歌舞片演员。因预映口碑极差,科斯莫提议将《决斗骑士》改为歌舞片,由凯西为丽娜配音,凯西积极附议。与凯西吻别后,唐心花怒放,在雨中载歌载舞。科斯莫的计划能否奏效?幕后的凯西能否走到台前接受观众的掌声?

  • 霉运缠身

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    A buddy comedy about a high school tech-whiz whose prom day abruptly shifts into a wild ride across town, thanks to a down-on-her-luck cop and a jewel thief.

  • 霍乱时期的爱情 Love in the Time of Cholera

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    长达半个世纪的爱情故事。   19世纪末期哥伦比亚的喀他赫纳,电报员Florentino Ariza(Javier Bardem 饰)爱上了富商的女儿Fermina Daza(Giovanna Mezzogiorno 饰),他用热情洋溢的情书打动了Fermina Daza的心,二人迅速相恋。然而,由于身份地位的悬殊,Fermina Daza不得不屈从于父亲,离开了喀他赫纳,在年轻的Fermina Daza看来,二人的爱情只是少不更事的幻觉而已。   几年后,Fermina Daza在父亲的安排下,嫁给了有好感的医生Dr. Juvenal Urbino(Benjamin Bratt 饰)。正值霍乱时期,一个医生丈夫不仅能带来优渥的生活,更是生命有力的保障。Fermina Daza渐渐忘记了当年的事情。可是Florentino Ariza却没有忘记,当年一无所有的青涩少年,继承了伯父的遗产,成为富有的船商,他经历着不同的女人,但是内心却对Fermina Daza念念不忘,他能做的事情,就是等待,等待重逢的那一天,纵然五十多年过去,对她的心意还一如往昔。

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