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得州巡警：独立
更新至9集
欧美剧
CW宣布开发《德州巡警Walker》衍生剧《德州巡警：独立Walker:Independence》，由JaredPadalecki﹑AnnaFricke及SeamusFahey负责。这部剧背景在1800年代后期，讲述AbbyWalker的故事，她是位富裕的波士顿人，丈夫在前往西部的途中被杀害；在寻求复仇时她认识了流氓HoytRawlins，两人因而一起来到独立镇，这儿充满想摆脱过去并追逐梦想的人，而主角们将会为这处带来改革。
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幻星神Justiriser
完结
动漫
450年前，企图称霸宇宙的哈迪斯大帝战败而被幻神星人娜伦用史特拉石碑阵封印。450年后的现代，为了复活哈迪斯，其手下佐拉博士派遣机动骑士与宇宙巨兽攻击地球。幸运的是，在此同时，幻星神兽雷零守亦因此苏醒，而原来平凡的高中生伊达翔太、真田由加以及就读京南大学的平贺真也，受到召唤化身成为幻星神战士，负责保护地球这一神圣使命。一场星际战争，让人类文明在遥远的星球上开花结果。一个战乱纷飞的年代，涌现出无数的英雄人物，让“勇气”、“智慧”、“仁爱”三个力量拯救地球！
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权欲第二章第一季
完结
欧美剧
玛丽·布莱姬（MaryJ.Blige）将第一次以主角的身份，加盟美国热播剧Starz出品《#权欲#Power》衍生剧《PowerBookII:Ghost》，《权欲》第六季已经完结，衍生剧将会套用原剧的路线，同时延用原班制作班底，Mary是这一剧的主角，全部剧集将以Mary这个主角故事内容展开，制作人/导演/主演的50Cent已经在ING开始宣传，透露请紧盯着："MJB"，期待新一季预告片首播。
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朱莉娅第二季
更新至08集
欧美剧
在第二季中，随着她的节目播出，以及出现了这样一个当时几乎闻所未闻的每周烹饪节目，茱莉娅（莎拉·兰卡夏尔SarahLancashire饰）努力应对自己日益上升的名誉和声望。为《法兰西厨师》第二季做准备的同时，茱莉娅在法国度过一段她非常需要的时光，随后她拜访了法国南部、美国华盛顿和波士顿的一系列著名餐厅与厨师。茱莉娅跟她的团队带头制作着由女性主导的公共电视节目，而在这样的过程中，也反映出了普遍存在于当今社会中的问题。前3集的故事发生在法国的蓝色海岸和巴黎，剧组为此在去年夏季前往普罗旺斯、尼斯、戛纳、昂蒂布和巴黎等地进行了外景拍摄。
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量子启示录
HD
科幻片
故事讲的是，某一天航天局发现一个类似于黑洞的天体出现在地球的附近，吞噬着周围太空的一切，地球很快就会毁灭。从发现到预计的毁灭时间，只有100个小时。于是航天局就找来了两个民间专家来解决。最后两个小时，在两个电影专家还在演算的过程中，一个有沟通障碍的年轻人最终帮了这个大忙,使时间倒流，而这位年轻人已经轮回了672次。
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霹雳游侠2008电影版
HD
科幻片
KnightRiderisa2008televisionfilmwhichwascreatedtoserveasabackdoorpilotforthenewKnightRidertelevisionseries,arevivaloftheseriesofthesamenamewhichairedduringthe1980s.ThisfilmdoesnotrefertoeithertheKnightRider2000filmortheTeamKnightRidertelevisionseries.
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蜘蛛侠：逝去之莲
HD
动作片
这是一部非营利性的长篇电影，与漫威、索尼或迪士尼均无关联，由该蜘蛛侠的粉丝创作。彼得·帕克（WardenWayne饰）的前女友不幸身亡，似乎是由于他试图拯救她而造成的，彼得·帕克对于过去的愧疚挥之不去，质疑是否应该永远埋葬来自他的另一个自我的诅咒。当他得知一个身患绝症的孩子寻求与蜘蛛侠见面时，彼得在考虑是否要在他的仅剩之日里去安慰他。改编自：“SPIDER-MAN:BLUE”以及“THEKIDWHOCOLLECTSSPIDER-MAN”。
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初步举证
HD
剧情片
JodieComer(KillingEve)makesherWestEnddebutintheUKpremiereofSuzieMiller’saward-winningplay.Tessaisayoung,brilliantbarrister.Shehasworkedherwayupfromworkingclassoriginstobeatthetopofhergame;defending;crossexaminingandwinning.Anunexpectedeventforceshertoconfrontthelineswherethepatriarchalpowerofthelaw,burdenofproofandmoralsdiverge.PrimaFacietakesustotheheartofwhereemotionandexperiencecollidewiththerulesofthegame.JustinMartindirectsthissolotourdeforce,capturedlivefromtheintimateHaroldPinterTheatreinLondon’sWestEnd.朱迪·科莫（JodieComer）将借4月15日起在哈罗德·品特剧院开演的独角戏PrimaFacie实现她的西区首秀！她扮演的女律师出身工人阶级，通过自身奋斗成为了行业中的佼佼者，而她遭遇的一场性侵将给她的人生带来强烈冲击。
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死亡仓库2
HD
恐怖片
Threeyearsafterhavingsurvivedtheeventsofthefirstfilm,Michelle(LexiDripps)isnowincollege.However,sheisstillplaguedwiththequestionsofwhattrulyhappenedafterwhatshebelieveswasonlyaritualisticattackthatkilledallherfriends.WiththebanonHalloweenliftedinherhometown,thesororitygirlsofGammaTauPsiplaceMichelleandherbestfriendHeatherinchargeoftheannualhauntedhouse.UnfortunatelyforMichellesomeuninvitedtrickortreatersfromherpastcomeknocking…
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国王与国家
HD
战争片
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.